Ridiculous Ice Cream: I do not think it means what you think it means.

Sunday, November 4, 2012

I do not think it means what you think it means.

Well, my film-teacher friend watched my rough cut of the trailer and she found it so cryptic as to be completely unintelligible. Basically, without using this word, she said it was awful.

I am discouraged.

I have sought second & third opinions.

If you'd like to check it out -- and answer the questions for direction that I have come up with with -- you may do so at the link below. If you do this, please watch the trailer once before reading the questions so that you can gauge your immediate reaction before being pointed at specific issues.

Without further suggestion, I am basically at a standstill, trailer-wise, and will have to abandon it for a while. I'll go back to doing scenes, which is productive, of course, but -- argh.

Here's the link to the trailer:

http://youtu.be/hcmBZa1uKBI

Or You Can Click on These Words

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Some of the Cast and Crew

Marissa ..... Vitta "Christine" Quinn
Larry ..... R.J. Bain
Bill ..... Kevin L. Bright
Amy ..... Rachel Allyn (-Oppenheimer)
Sarah ..... Rachel Ellis Adams
Director of Photography, Greg "Filmduck" Dancer
Written, Directed and Occasionally Edited by Rachel Ellis Adams
Produced by Jack Martin
Invaluable Help from Cynthia Conti
Additional Labor and Support Provided by Many Other Wonderful People
Bill's Living & Dining Rooms and Amy's Bedroom, thanks to Jenny and Mark Friedman
Bill's kitchen, thanks to Cynthia and Henry Jenkins
Bill's Front Vestibule, thanks to Alejandro Reuss
Larry's Bedroom, Bathroom & Dining Room, thanks to Elizabeth "FrizB" Ellis
Larry's Piano Room, thanks to some friends of Cynthia, but honestly? I don't even know what town we were in.
Tire Swing, thanks to Herb & Mary Adams

Plot and Themes (No Big Spoilers)

(There are spoilers in my posts!)

Seeing and Believing is a "quirky drama" about five friends in their late twenties: Marissa, Bill, Sarah, Amy and Larry.

As the film opens, Marissa is just leaving a mental hospital (is that what we call them these days?), where she has been staying, following her attempt at suicide. Her best friend Bill takes her in and tries to help her re-adjust to her new life as best he can, though he does not feel especially confident that he is up to the task. He, a chef, invites over some friends for a casual dinner, two of whom he does not know very well, and one of these - Larry - turns out to be someone that Marissa played with one summer as a child.

Marissa and Larry, under the jealous eye of Larry's girlfriend Amy, proceed to spend some time together. Soon a conflict arises as they each start to remember "the game" they played that one summer. Larry insists it wasn't real, that they were pretending or imagining things, but Marissa suspects he is mistaken. The truth becomes undeniable before too long: as five-year-olds, they really had ESP. The next question is, what about now?

Marissa is a writer, who has always been highly intuitive and empathetic, even while no "ESP" abilities have ever been explicitly recognized or labeled as such. Larry is a frustrated pianist who has dutifully put together a conventional and orderly life, of which the conservative Amy is a chief signifier. Eventually, each comes to a moment of testing in which they have to choose “yes” or “no” to the question, Can you live with who you really are?

The two governing themes of the film are:

1) The authentic self – both the obstacles that block us from realizing it, and the tools that allow us to bring it forth

2) Loving – what it means and what it looks like, both on a personal level and on a larger, social level (and on a theological level, too, if you're inclined to look through that lens).

Ridiculous Ice Cream

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Sunday, November 4, 2012

I do not think it means what you think it means.

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Some of the Cast and Crew