Hey there -
Thanks to Rachel O and Kevin for the surveillance notifications! :)
I'm here to try to post some video - 15 seconds from Scene 6 (Davis Sq). This is the opening, with the WS that is "backwards" as compared to all the MS & CU of the scene. I really want to use some kind of establishing shot, so - despite Pete (m' manfriend')'s comment on a previous version that I look (in the shot) like I'm doing a pirhouette (sp?) - I've tried to cut from the WS to a MS on the turn I make as I sit down - you know, like audience turning with me, sort of thing...
Anyway - I'm hoping some one will tell me how it looks -- how bad is the jump from one direction to the other? From Kevin CU to the WS? Is it usable or not? Other comments?
Lemme know what you think.
Scene 6 was hard. I'm moving on to Scene 5 now.
REA
Saturday, January 26, 2008
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Some of the Cast and Crew
- Marissa ..... Vitta "Christine" Quinn
- Larry ..... R.J. Bain
- Bill ..... Kevin L. Bright
- Amy ..... Rachel Allyn (-Oppenheimer)
- Sarah ..... Rachel Ellis Adams
- Director of Photography, Greg "Filmduck" Dancer
- Written, Directed and Occasionally Edited by Rachel Ellis Adams
- Produced by Jack Martin
- Invaluable Help from Cynthia Conti
- Additional Labor and Support Provided by Many Other Wonderful People
- Bill's Living & Dining Rooms and Amy's Bedroom, thanks to Jenny and Mark Friedman
- Bill's kitchen, thanks to Cynthia and Henry Jenkins
- Bill's Front Vestibule, thanks to Alejandro Reuss
- Larry's Bedroom, Bathroom & Dining Room, thanks to Elizabeth "FrizB" Ellis
- Larry's Piano Room, thanks to some friends of Cynthia, but honestly? I don't even know what town we were in.
- Tire Swing, thanks to Herb & Mary Adams
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