Saturday, January 26, 2008

Clip by Clip

Okay, I have now uploaded all the clips from Scene 5 that I think I'll draw from. Five different angles, ELEVEN takes of the master shot -- what the hell was my problem?? I'm sorry, actors.

This is the scene in the Jenkins kitchen when Marissa tells a worried Bill that she's "ready" (to be out of the hospital) and Bill describes to her Sarah's "freaky roommate" with the really cool boyfriend. Kevin is prepping some fresh raspberries -- mmmmmmm... makes me miss summertime!

This is also when Rachel (me) takes the Jenkins' Wolfman action figure and marches it across the screen going "Grrr. Arrrgh." a la Joss Whedon at the end of 'Buffy the Vampire Slayer.'

There are some touching moments here. Thanks, guys!

video P.S.

Okay, now that I've posted the video (two tries - took me an hour - just for 15 seconds! We may be approaching the technology age, but we're not there yet), I can offer a little warning about it -- two things:

1) I think it plays too fast here. I mean, I think it's sped up as posted on the blog -- it's not *quite* this fast & obviously jumpy in Final Cut or Quicktime, I don't think. Does it seem too fast? Plus, 2), I finally figured out how to export the videos to Quicktime while preserving the 16x9 aspect ratio, but it was lost in posting here - too bad!

I hope those two things don't make it impossible to judge. But comment anyway!

Video!

Hey there -

Thanks to Rachel O and Kevin for the surveillance notifications! :)

I'm here to try to post some video - 15 seconds from Scene 6 (Davis Sq). This is the opening, with the WS that is "backwards" as compared to all the MS & CU of the scene. I really want to use some kind of establishing shot, so - despite Pete (m' manfriend')'s comment on a previous version that I look (in the shot) like I'm doing a pirhouette (sp?) - I've tried to cut from the WS to a MS on the turn I make as I sit down - you know, like audience turning with me, sort of thing...

Anyway - I'm hoping some one will tell me how it looks -- how bad is the jump from one direction to the other? From Kevin CU to the WS? Is it usable or not? Other comments?



Lemme know what you think.

Scene 6 was hard. I'm moving on to Scene 5 now.

REA

Wednesday, January 23, 2008

Further motivation

Well, I started teaching yesterday (for the new term, that is). It's the first time I'll have three "sections" - i.e., they're all 'Intro to Public Speaking,' but different times. Is 27 times 3 really 81? I've been saying I'll have "75" students -- 81 seems like more than six more than 75. I think it's psychologically more like twelve more. :)

Anyway, in my third section, one of the students asked me to say a little about myself, and whaddaya think came out of my mouth? From Boston, blah blah blah, have a dog and a cat, etc., etc., and I'm slowly editing a movie I shot "a few years ago." They wanted to know what the movie was about, I said something vague, a couple people looked interested and then it was time to go. But now I have yet one more group of conscience police on my tail.

That's 50% what this blog is for, you know -- to keep me on th ball. I haven't had time to work on the editing for the last two weeks or so, but I WILL get back to it -- I'm going to try to edit every Friday and Saturday. It would definitely help my motivation to know that someone was looking in on this blog from time to time. If you actually read this, just post a 'hi' comment, so I know you're keeping an eye on me. If you would. Maybe I should tell my class they'll get extra credit points if they post on my blog...

In any case, I'll keep at it as best I can!

It's been below zero here for two weeks now -- I'm COLD!

All the very best to youse and yourn,
Rachel

Friday, January 18, 2008

People News

Hi - so - Greg Dancer is moving to Copenhagen!

Copenhagen is cool. That's where the "Dogme 95" group is. They are a group of filmmakers who wrote a manifesto (in 1995, as you might guess) about how movies should be made -- cheaply, for the most part, for both values-related and artistic reasons. Very interesting. They made 'Dogville' (with Nicole Kidman) which I loved. I thought the lack of walls in the set was fascinating and very effective. The story takes place in a small American town, but the set is all just one large warehouse, with "chalk" marking where the "houses" start and stop -- among other things. It's a gloomy, disturbing film, a la the short story "The Lottery." If you're interested in independent film, I highly recommend it.

So, Greg, are you going to go find Lars? Tell him I said 'hey.'

I have other interesting news about other people, but not the express permission to share it. Anytime you want to let me know that I can share, please do.

And thanks for posting a comment, Jack!

Rachel

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Some of the Cast and Crew

  • Marissa ..... Vitta "Christine" Quinn
  • Larry ..... R.J. Bain
  • Bill ..... Kevin L. Bright
  • Amy ..... Rachel Allyn (-Oppenheimer)
  • Sarah ..... Rachel Ellis Adams
  • Director of Photography, Greg "Filmduck" Dancer
  • Written, Directed and Occasionally Edited by Rachel Ellis Adams
  • Produced by Jack Martin
  • Invaluable Help from Cynthia Conti
  • Additional Labor and Support Provided by Many Other Wonderful People
  • Bill's Living & Dining Rooms and Amy's Bedroom, thanks to Jenny and Mark Friedman
  • Bill's kitchen, thanks to Cynthia and Henry Jenkins
  • Bill's Front Vestibule, thanks to Alejandro Reuss
  • Larry's Bedroom, Bathroom & Dining Room, thanks to Elizabeth "FrizB" Ellis
  • Larry's Piano Room, thanks to some friends of Cynthia, but honestly? I don't even know what town we were in.
  • Tire Swing, thanks to Herb & Mary Adams