Friday, January 18, 2008

People News

Hi - so - Greg Dancer is moving to Copenhagen!

Copenhagen is cool. That's where the "Dogme 95" group is. They are a group of filmmakers who wrote a manifesto (in 1995, as you might guess) about how movies should be made -- cheaply, for the most part, for both values-related and artistic reasons. Very interesting. They made 'Dogville' (with Nicole Kidman) which I loved. I thought the lack of walls in the set was fascinating and very effective. The story takes place in a small American town, but the set is all just one large warehouse, with "chalk" marking where the "houses" start and stop -- among other things. It's a gloomy, disturbing film, a la the short story "The Lottery." If you're interested in independent film, I highly recommend it.

So, Greg, are you going to go find Lars? Tell him I said 'hey.'

I have other interesting news about other people, but not the express permission to share it. Anytime you want to let me know that I can share, please do.

And thanks for posting a comment, Jack!

Rachel

Tuesday, January 8, 2008

SCENE 6 is "in the C"

All right, for better or worse, I have put one scene together! Yayyy! Woo hooo!!

*big sigh of relief*

One down, sixty-five-ish to go. I say "ish" because of things like the absence of a Scene 11 and the fact that we re-numbered some scenes in accordance with how we shot them, etc.

I tried to export the beginning in order to post it here and get some feedback, but I can't figure out how to get it to export in 16x9. I'd swear I was doing what I'm supposed to be doing -- except for the lack of result. I'll keepbnm [cat walking on my kekloyboardgh - go away, Max] keep trying.

I finally saw 'Rosemary's Baby' a few days ago. [spoiler alert] That really is a remarkable movie for 1965--definitely not directed by an American (Did she just say something about her period without it being a punchline?!) Just so artfully shot--although I could have done without the superimposition of the devil's face near the end, that was overkill and a little silly.

I'm sure our film won't have any overkill. Ahem.

You know what our film does have a lot of? Food.

But I'm not going to tackle one of the dinner scenes just now (I actually did do a version of the "Life has directions" dinner scene between Larry and Marissa a year or two ago - I wonder if it will hold up). I'm thinking of doing the scene when Bill comes home from work to find Marissa newly arrived. I think of it as the "Heyyyyyy" scene because Kevin had to come in the door and say "Heyyyyyy" so many times. Scene 4 maybe it is? Hmmm. I haven't seen the footage for this scene in a couple years - should be interesting!

I'm hungry.

Rachel
oh - P.S. - This is Max. He helps me sometimes.

Monday, January 7, 2008

I Miss My Moviola

...although I actually liked the Steenbeck better. The old by-hand film-editing machines. Screw this computer editing!! *can't *touch *it -- *all *illusory... Aarrghhh!

Of course, I'm sure that people who actually know what all those commands mean have an easier time of it. But I, for example, seem to have de-activated the auto-link function, somehow. That is, when I put a clip in the timeline, it's not automatically locked to its sound. Driving me crazy! And even when I get a little check mark next to the word "Link" in the pull-down menu, it's not!

I miss the actual cutting and splicing - hanging clips up on the bin pins, wheeling the bins around... oh well. This was certainly cheaper.

Thanks for reading, Other Rachel's BF!!

Good night,
REA

Oh, and BTW

Some of you gave me some interesting details about your lives that I'd be happy to relate here, but I don't want to "talk out of school" -- let me know if I can share your life updates!

Gang's All Here!

Hello again!

It's true - I've been gone for a week. How could I deny it?

In the meantime, I've heard back from Rachel (the other one), Kevin, Christine (who may or may not actually go by "Christine" anymore...), Cynthia (Conti), Greg and Sarah. Hooray! Also another friend who likes her privacy but who helped us out quietly, back in the day, with some _money_, which was mighty nice of her, and although she hasn't confirmed my mention of the blog, Louise might check in here from time to time too (she made us some very yummy food when we were working in the Jenkins' kitchen, and she and her Michael & Duncan were Quaker extras at the meeting house). Soon I'll send out a wider net. Feel free to spread the love and chaos, yourselves (IF you're actually even reading this, which, I know, you might not be. La la la...)

I didn't finish Scene 6 as I said I would -- I ended up refining the timing of the dialogue instead. So TODAY, by gum, here goes.

Also - a little later today, after I've got some cutting done, I think I'll post some more pictures -- and see what the deal is with posting video. There seems to be a little filmstrip icon, but I'm dubious.

And if you do read this - let me know you're out there! I must admit, I feel a little silly writing into the ether sometimes. :)

Peace out,
Rachel

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Some of the Cast and Crew

  • Marissa ..... Vitta "Christine" Quinn
  • Larry ..... R.J. Bain
  • Bill ..... Kevin L. Bright
  • Amy ..... Rachel Allyn (-Oppenheimer)
  • Sarah ..... Rachel Ellis Adams
  • Director of Photography, Greg "Filmduck" Dancer
  • Written, Directed and Occasionally Edited by Rachel Ellis Adams
  • Produced by Jack Martin
  • Invaluable Help from Cynthia Conti
  • Additional Labor and Support Provided by Many Other Wonderful People
  • Bill's Living & Dining Rooms and Amy's Bedroom, thanks to Jenny and Mark Friedman
  • Bill's kitchen, thanks to Cynthia and Henry Jenkins
  • Bill's Front Vestibule, thanks to Alejandro Reuss
  • Larry's Bedroom, Bathroom & Dining Room, thanks to Elizabeth "FrizB" Ellis
  • Larry's Piano Room, thanks to some friends of Cynthia, but honestly? I don't even know what town we were in.
  • Tire Swing, thanks to Herb & Mary Adams